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Master Disconnect Kill
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Objective
You will be making an electromagnet using coils of wire. The aim of such science fair experiments is to test how strong electromagnets can be. You will also determine how the magnetic field strength is affected by the number of times the wire is wrapped around while making the magnet.
Introduction
A magnetic field is produced when a current flows through a wire. The same can be proved in science fair experiments by using a magnetic compass. Since a single wire has a comparatively weak magnetic field, the wire can be coiled to observe that the magnetic field strength increases with each added coil.
You will find out how the magnetic field strength varies when the coil turns are increased. You will also find out how the coil should be oriented (parallel or perpendicular) in order to be effective.
Material
A 6V battery, alligator clips, magnetic wire, masking tape, paper clips (one box) or 200 steel washers (1 cm diameter) and three core material pieces of equal length such as iron nails or iron bolts or pieces of iron pipe.
Preparation
Three different electromagnets are to be made using core material of equal lengths. Now wrap the magnetic wire neatly around each piece of core material, but let the number of turnings be different for each piece. For example, one piece will be wrapped with 100 turns, the second with 200 turns and the third with 500 turns. Keep the coiled wire in place at both ends by attaching tape and leave at least 5 to 6 cm of extra wire for being connected to the battery. Using your utility knife, carefully remove the insulation of the free ends of the magnetic wire and expose 1 cm of copper wire.
The free ends are to be connected to alligator clips which are always used in science fair experiments. The alligator clips are to be attached to the terminals of the battery. Use a shallow tray to hold the paper clips (washers).
Procedure
Begin with the core material with 100 turns of coil.
- Connect the alligator clips to the battery and hold the coil of the electromagnet parallel to the tray, touching the paperclips (washers) with the coil to pick them up. Move the coil out of the container and disconnect the battery. Now count how many paperclips were attached to the coil and write down the number in a table. Repeat the same procedure 4 times more and calculate the average of all 5 readings and write it down in the table.
- Now keep the coil of the electromagnet perpendicular, touching the paperclips (washers) with the coil. Move the coil out of the container and disconnect the battery. Now count how many paperclips were attached to the coil and write down the number in the table. Repeat the same procedure 4 times more and calculate the average of the 5 readings and write it down in the table.
- Next, take the coil with 200 turns and repeat steps 1 and 2.
- Then proceed with the coil with 500 turns and repeat steps 1 and 2.
Make sure you record your findings without fail. Your table will consist of a whole bunch of numbers. Graphs are very important during science fair experiments. So plot a graph showing the results for each orientation. The X-axis should reflect the number of coils and the Y-axis should reflect how many paperclips (washers) were attached to the electromagnet.
When you look at the graph you may be amazed that all your efforts have been displayed by curved lines, which speak better than numbers.
If you want to ensure an A+ or more, you can download a free copy of "Easy Steps to Award-Winning Science Fair Projects" from the link below right now.
For a step-by-step guide to easily creating a really awesome science project, download a FREE copy of Easy Steps to Award-Winning Science Fair Projects right now.
If you want the super-easy way to creating a winning science fair project, check out the complete "Science Fair Project in a Box" kits from AwesomeScienceProjects.com.
Segregation In Sixty-Seven
I was once at a school where, weirdly enough, racial segregation seemed to be the greatest thing since sliced bread to all of the evil-minded kids who were involved. This group of kids was truly wicked, evil down to the core, but a lot more harmless than they thought they were. Because the Negro girls had total control over our entire yard, and all of the boys were in their own section of the playground.
The black girls were somehow the lead group within the spread out zone map of an egalitarian war. They introduced me to the playground by being in the first section of it. I found out from them that they were superior at jumping rope, being able to do Double Dutch easily, and there was no way I could keep up with them. I couldn't even do regular jump rope with the white girls, and they begrudgingly let me twirl the rope instead.
Being way overweight and thus unable to do much in the way of sports, I became the fat girl "journalist." I wandered around the girl's half of the playground, interviewing every segregated group. There were the black girls who jumped rope like it was going out of style, and the white girls who had to bow to that Goddess of Jumping, the master of the black girls.
I didn't cause any of the "events" that happened there, I just entered each section of the segregated girls playground, interviewing girls like I was Alex Hailey or something, the ghost writer who helped Malcolm X write his book. The one unfortunate thing; I wasn't allowed to enter the boys section of the playground, and interview the opposite sex.
I even got my African glasses knocked off when I tried to go to the boy's basketball playground, which we didn't have; they had total control of the entire available basketball court. They had a non-racist playground going. We girls had a racist, tallest, shortest, Jewess, Christian, fat girl, sexist segregated playground, and somehow, if it meant something to us that we were evil incarnate, that worked for everyone else . . . but me.
I wanted to be friendly, playful, and good. So I got to interview people instead. Why feel guilt ridden? I had to go to each segregated section of the weirdo playground, interviewing every evil loser queen on it, because the black girls were winning on our Negativity Playground.
As I went through life, I became the Lost Girl Journalist. Yeah, there is now Jeanne Emerson -- is there not? She lives in the Pacific NW and is going to become the oldest female talking head ever. I was never able to become a tall white male journalist. I didn't make it through the system enough to become a million dollar piece of property.
My story? My life was determined by our Negativity Playground.
First I saw the black girl section, two black girls there, saw them skippin' rope like sixty double dutch, and said to myself, "I can't do that, what's up with that? I know what. There's a section of the playground I can play in." I did a limp wrist at them and said aloud, "Ah, tha's jus' them," and moved on to the white girls who were skipping rope. It wasn't even double dutch, and I still couldn't handle it. I jumped a teeny bit, and moved on. For I was the fat girl, and there was no such fat girl section on the playground.
But as I moved on, I headed towards the boy's section, and as I walked toward it, thinking they wouldn't mind, a white boy with black hair saw me and threw the ball as hard as he possibly could. It was a basketball, and it zoomed straight into my face and knocked off my glasses. I cried, stopped, contained myself, and picked up my glasses. There was no "glasses" girls section on the playground, either. I put them back on and continued, as my part Indian self and part black self woke up, and knew it wasn't Jesus Christ the Lord. Surely I wouldn't get anywhere in life. I sighed. I would tell these people something, somehow, but I didn't know what.
I moved on. Eventually there was the tall girl section. As I had previously exhibited courage, they let me in. Probably the older Catholic girls. They let me in conditionally, to what, I did not know. When I admitted I favored Indians, especially Indian chiefs, they kicked me out. I moved on to the segregated Judeo-Christian -- or mostly Jewish -- or whatever section it was, cottoned to it really being the Jewish section, but you know those Christians, they read both books…I hung out with them and heard this:
Miss Lucy had a steamboat
The steamboat had a bell
Miss Lucy went to heaven
The steamboat went to hello
Operator, give me number nine
And if you disconnect me
I'll kick you in the behind
The refrigerator
There was a piece of glass
Miss Lucy sat upon it
And broke her little ask me
No more questions
I'll tell you no more lies . . .
It sounded like art, fiction writing, song lyrics and humor all rolled up into one. And it was being done by evil, leering, lecherous little girls. Who thought that since racial segregation meant something, so did they?
So I added the last lines, already. Which were:
The boys are in the bathroom,
Making chocolate pies.
No one was truly impressed by this. It was the best I could do, I gracefully apologized. Because they were all ready to go to Viet Nam too soon.
Then I had to wander, being the only fat girl, to the little kids section of the playground. It was a tree in a well. The roots were lovely, mysterious and intertwining, and it made it hard to walk around in down in the tree pit. The little kids were all having an easy time walking around in there. I sighed, decided to leave, and found out how hard it is for a fat girl to climb out of a pit. The Pit of Hell of the Babies. Ygdrasil, from the old Nordic legends.
And finally another fat girl, an all white one, found me and made fun of me. I was not all white. I was picking up the chestnuts with a bag and she said they had always been doing that before, it was passé, and I had not invented anything new. I kept picking up the chestnuts.
Just as I finished doing this, the school bell rang, and I had to go back inside. And be told I could become the President of the United States, or maybe go to Viet Nam, enter combat, and kill people. Or be killed.
About the Author
Executive Director and President of Rainbow Writing, Inc., Karen Cole writes. RWI at http://www.rainbowriting.com is a renowned inexpensive and affordable professional freelance writers, book authors, ghost writers, copy editors, proof readers, coauthors, manuscript rewriters, graphics and CAD, digital and other photographers, publishing assistance and screenplay writers, editors, developers and analysts service.
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